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The last rays of a winter sun bath a beautiful panorama of Pines Island reflected in the waters of Derryclare Lough near Clifden, County Galway, Ireland.  Taken from the water's edge after scrambling down the embankment from a nearby road.

凱爾特人的反思

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The last rays of a winter sun bath a beautiful panorama of Pines Island reflecting in the waters of Derryclare Lough near Clifden, County Galway, Ireland. Taken from the water's edge after scrambling down the embankment from a nearby road.

角落特徵壁畫
Dimensions
  • Story
  • Planning
  • Technical

How this shot came about.

自從我們一家人回愛爾蘭探親以來已經有一段時間了,所以在2019 年,我和我的兄弟布萊恩和我們的家人一起回到了祖國,在威克洛郡的恩尼斯凱裡與我們的父母一起過聖誕節。

帶著三個十幾歲的孩子,我們覺得讓我們的父母從不習慣的人群中休息一下並前往西方度過一個短暫的假期是有禮貌的。我們在一個名叫克利夫登的沿海小鎮預訂了一家不錯的民宿,距離戈爾韋以西僅一步之遙,因為我們認為該位置將是康尼馬拉駕車度假的一個很好的中轉點,也許伯倫也是一樣。

在阿斯隆的港口飯店 (Porthouse Hotel) 中途停留後,我們都擠進了租用的 12 人座廂型車,瞄準戈爾韋和西部地區。我已經度過了一個令人沮喪的早晨,錯過了「與鵝一起拍攝霧湖」的絕佳機會,並且真的希望在旅途中的某個地方會有另一個機會出現。

不幸的是,在我們行駛到非常接近克利夫登之前,沒有什麼真正引人注目的地方。夕陽西下,光線迅速消退,丹尼斯(我的另一半)大聲叫我們停下來,因為她看到我們行駛的道路北面有一個美麗的湖泊。我們把車停在​​路邊,下車,抓起攝影器材,爬上路堤,來到另一邊的湖岸。

我從未見過如此平靜的水面……如此完美的倒影。很多時候,人們計劃了幾天、幾週、幾個月甚至幾年的拍攝,然後才實現它,但在快速落日的壓力和擔心完美不會持續的情況下,我進入了一種心流狀態,全景、三腳架 - 雲台 - 相機 - 對焦 - 曝光,影像被捕捉!

凱爾特反射是迄今為止我最喜歡的照片之一。我喜歡當我站著沉浸在圖像中時那種平靜的感覺,但我也喜歡其中的一些非常具體的元素...

  • 夕陽的溫暖光芒照亮了左邊的雲層,然後突破了中央的山脈,照射到了右邊的山峰上。

  • 湖水呈深紫色,是泥炭的細懸浮物造成的

  • 影像最右側山下的小小屋

  • 難以察覺的漣漪打破了山邊倒影的完美——雖然破碎了,但同時又以某種方式增強了。

Shot Location

This Shot

我想計劃是一個在事件發生之前很久就開始的過程,然後計劃幾乎與事件本身同時發生。這張照片是後者類型的規劃之一。

公平地說,我一直在使用攝影師星曆來監測日落時間以及景觀上投射的光線和陰影,但這張特殊的照片完全是為了利用愛爾蘭西部冬季很少出現的情況 -平靜清澈的夜晚,水面平靜。

在這種情況下,計劃包括觀看然後拍攝。


The Photographer's Ephemeris showing the shot location

The Photographer’s Ephemeris is a trademark of Crookneck Consulting LLC, registered in the United States.
Please visit their website at https://photoephemeris.com for more details
All other trademarks and logos remain the property of their respective owners

Gear

Camera: Canon EOS 7D

Lens: Canon EF-S 18-55mm f3.5-5.6 IS

Storage: SanDisk Extreme Pro CF UDMA 7 64Gb

Ballhead: Manfrotto 498RC2

Tripod: Manfrotto 055XPROB

Cable Release: Promote

ND Filter: 沒有任何

Exposures

Count: 112

HDR Count: 7 exposures per shot

Aperture: f10

ISO: 100

Focal Length: 35 公釐

EV values: -3, -2, -1, 0, 1, 2, 3

Shutter: 1/800, 1/400, 1/200, 1/100, 1/50, 1/25, 1/13

Filters

ND Filter: 不曾用過

Gradient Filter: false

Polarizer: false

Image

Rows: 2

Shots: 0

HDR Shots: 16

Aspect: Portrait

Arrangement: 2x8

Post Production

基本工作流程

  • 我用了 燈室 將 112 個 HDR 曝光拼接成 16 個影像馬賽克
  • 我透過圖像 Photoshop的去噪濾波器
    • 從影像中移除 CCD 偽影
    • 特別是在雲層和天空晴朗的區域
  • 我用了 Photoshop的斑點修復工具可從影像中消除相當多的感光元件偽影

影像調整

  • 影像不需要任何銳化
  • 雲彩進行了對比度和清晰度調整,以突出較暗部分和較亮部分之間的差異
  • 使用斑點修復工具透過刪除來清理影像
    • 變形金剛
    • 電線桿和電線
    • 前景樹葉(裁剪後仍保留)
  • 裁剪是作為兩者之間的折衷進行的
    • 移除縫合導致的前景偽影
    • 保留盡可能廣闊的全景視野

A graphic of the shot's layout structure

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