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Rapidly encroaching clouds above the Glasshouse Mountains taken from atop Wild Horse Mountain in Queensland Australia

B612

¥21,000 JPY
899
899
199
199
59
59

從澳洲昆士蘭野馬山山頂拍攝的溫室山脈上空快速侵蝕的雲層。 這些火山塞讓人想起(至少對我來說)小王子居住的星球 - 因此圖像標題為“B612”

角落特徵壁畫
Dimensions
  • Story
  • Planning
  • Technical

How this shot came about.

這張照片來自我的另一次努薩腹地遊覽,但這次是向南前往布里斯班,而不是向西進入山區。

整個地區佈滿了主要火山活動的遺跡,在過去的 200-2000 萬年裡,隨著太平洋板塊被推到印度-澳大利亞板塊之下,這些火山活動創造了澳大利亞東海岸的許多地貌。

這張圖片拍攝的是溫室山脈,顯示了幾個火山塞——更大的火山噴發的火山噴口,其外殼早已被侵蝕殆盡。在我們從布里斯班機場開車前往努薩的那些年裡,我經常看到它們,並且一直渴望找到一個合適的有利位置來拍攝它們。

昆士蘭公園和森林推薦了幾個有利的攝影地點,但這些地點的日出照明總是讓相機指向太陽。從地形圖上看,山區的東邊有一座名為「野馬山」的山,山頂有一個方便的瞭望台。

又是一大早就出發(凌晨 4 點),我在高速公路上向南行駛,直到我到達山腳。然後,一段相當陡峭的攀登將我帶到了頂部的一個小高原上,那裡有一個構造非常好的觀景平台。

從這裡我可以 360 度欣賞東邊的海岸和日出,西邊的火山。風力達到了蒲福氏 6/7 級,雖然我向太陽拍攝了幾張照片,但由於相機震動非常嚴重,它們都沒有成功。我放棄了這個想法,集中精力向西射擊。

我實際上認為整個計劃都是徒勞的——主要是因為天空平淡無奇——但最終風是我的朋友,把這美麗的雲層推過畫面,所以我重新把我的全景圖想像成垂直的,而不是垂直的。比水平的要好,我對結果很滿意。

 

Shot Location

The Shot

溫室山脈周圍有許多可能的有利位置可供拍照,但大多數位置都讓我在這個晴朗的早晨面向日出,而我正在尋找一個從相機位置後面照亮山脈的鏡頭。

在瀏覽了各種「努薩周圍可以做什麼」網站後,我決定將野馬山作為我想要拍攝的最有可能的有利位置。

無雲之夜 為我提供了所需的雲量數據,雖然日出後有雲沿著海岸滾滾而下,但預計黎明前 2 小時到黎明後約 1 小時內幾乎沒有高雲、中雲或低雲。這意味著黃金時刻的光芒將照耀在山脈的表面——事實確實如此。

The Photographer's Ephemeris showing the shot location

The Photographer’s Ephemeris is a trademark of Crookneck Consulting LLC, registered in the United States.
Please visit their website at https://photoephemeris.com for more details
All other trademarks and logos remain the property of their respective owners

Gear

Camera: Canon EOS 7D

Lens: Canon EF-S 18-55mm f3.5-5.6 IS

Storage: SanDisk Extreme Pro CF UDMA 7 64Gb

Ballhead: Manfrotto 498RC2

Tripod: Manfrotto 055XPROB

Cable Release: Promote

ND Filter: 沒有任何

Exposures

Count: 14

HDR Count: 7 exposures per shot

Aperture: f11

ISO: 100

Focal Length: 43 公釐

EV values: -3, -2, -1, 0, 1, 2, 3

Shutter: 1/1250, 1/640, 1/320, 1/160, 1/80, 1/40, 1/20

Filters

ND Filter: 不曾用過

Gradient Filter: false

Polarizer: false

Image

Rows: 2

Shots: 0

HDR Shots: 2

Aspect: Landscape

Arrangement: 2x1

Post Production

基本工作流程

  • 我用了 燈室 將 14 個 HDR 曝光拼接成 2 個影像馬賽克
  • 我透過圖像 Topaz DeNoiseAI
    • 從影像中移除 CCD 偽影
    • 特別是在雲層和天空晴朗的區域
  • 我用了 Photoshop的斑點修復工具可從影像中消除相當多的感光元件偽影

影像調整

  • 當我對結果感到滿意後,就通過了 黃玉銳化AI
    • 光線穿過整個影像
    • 蒙版通道在前景景觀中使用稍強的設置,以顯示樹木的更多細節
  • 雲彩進行了對比度和清晰度調整,以突出較暗部分和較亮部分之間的差異
  • 稍微推動樹葉的綠色,使其強度更能配合天空的強度
  • 火山塞的表面增添了微妙的溫暖
  • 影像被裁剪,讓雲朵離開左上角第三個位置

A graphic of the shot's layout structure

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How is my image shipped to me?

After printing each image is trimmed to include mounting margins for your framer.

It is then rolled in protective sheets and placed in an appropriately sized mailing carton.

We use 150mmx150mm (6"x6") mailing cartons to avoid excessive bending of the high quality paper we use for printing.

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We use very high quality papers from Hahnemuhle.


We usually print on Ultra Smooth Cotton Rag at 308 gsm.

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Each print is personally named, numbered and signed by me.


Additionally I also emboss the margin of the print with our logo.


Finally each print comes with a certificate of authentication which includes an encrypted QR code containing a unique print identifier and the known provenance of the print.

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All images on the Amuigh Faoin Speir website are copyright the author. A great deal of time and effort goes into the acquisition and production of each image and unauthorized use of any of the images is prohibited.


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Each of the images comes in three sizes, Feature, Mural and Nook.

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We guarantee that this run size will never be exceeded, ever.

This means that there is a natural scarcity for each image/size combination and as prints are sold that scarcity increases with a corresponding increase in the price for the next print.

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