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An amazing panorama capturing the essence of Out Under The Sky. My tripod is silhouetted against a back drop of mountain ranges fading to the horizon in silver afternoon light which lights the clouds from above. One of my favourites. Taken from atop the Western Arthurs in Tasmania, Australia.

天空之下

¥36,800
499
499
149
149
29
29

令人驚嘆的全景捕捉了天空之下的精髓。我的三腳架映襯著山脈的輪廓,在銀色的午後陽光下,山脈逐漸消失在地平線上,照亮了上方的雲層。我最喜歡的之一。拍攝於澳洲塔斯馬尼亞的西亞瑟山頂

角落特徵壁畫
Dimensions
  • Story
  • Planning
  • Technical

How this shot came about.

我曾希望我的《西方亞瑟王》冒險中的一張圖片能夠作為新網站的主打照片出現,我想您會同意這張圖片實現了這一希望。

那天一大早,我就從天鵝湖的科里爬了出來,計劃一直走到赫斯珀魯斯山,然後在莫林 A 山頂附近露營過夜,然後再下山回到交界溪。我覺得留出一整天的時間下山是明智的,這樣可以避免另一個「中間」營地,如果事實證明它和旅行開始時的上山一樣困難,特別是因為我不喜歡再花一個晚上尋找飲用水!

當我在赫斯珀魯斯山準備露營地時抬起頭,南面山脈上的午後陽光開始暗示一些有趣的可能性,雲頂上出現銀色亮點,並且開始出現非常有希望的遠景薄霧在整個天空變厚。丘陵。

我發現了一塊漂亮的平坦岩石,這會給我一個稍微升高的位置,然後爬上它來欣賞視圖的細節,看看是否有任何值得強調的有趣特徵。我確實看到了右側懸崖上的瀑布和蜿蜒穿過谷底的河流,並決定將這些與可愛的雲光結合,構成拍攝的基礎。我架起了三腳架,但後來決定需要更長的鏡頭,所以回到營地去拿它。

當我走回去拍照時,背景中三腳架的剪影突然出現在我面前,它像徵著作為風景攝影師的感覺,這就是這張照片的起源。

我將較長的鏡頭安裝在相機上,然後站著看著逐漸降低的光線——等待太陽高度和地球自轉的正確組合,這樣我就可以同時在瀑布和河流彎道上獲得正確的光線。

我在不斷變化的光線下對這張照片進行了 8 遍,但這張照片是在太陽落入天空時拍攝的,因此谷底樹木的影子向我拉長。突然間,我似乎被推向場景,它在我面前放大,這張照片就是在那一刻拍攝的。   

對我來說,《Out Under The Sky》捕捉了大自然的奇蹟──一種謙遜、毫無歉意的美麗時刻。

Shot Location

This Shot

這次拍攝的所有計劃都是根據不斷變化的照明條件和我在場景中看到的元素即時完成的。

當我看到透視霧氣正在加深時,我參考了我的指南針並 攝影師的星曆 要判斷影像中的中心目標,只需等待拍攝時機出現即可。


The Photographer's Ephemeris showing the shot location

The Photographer’s Ephemeris is a trademark of Crookneck Consulting LLC, registered in the United States.
Please visit their website at https://photoephemeris.com for more details
All other trademarks and logos remain the property of their respective owners

Gear

Camera: Canon EOS R5

Lens: Canon RF 70-200mm f2.8 L IS USM

Storage: ProGrade Cobalt CF Express B 325Gb

Ballhead: Really Right Stuff BH-40

Tripod: Really Right Stuff TFC-34L Mk2

Cable Release: Canon BR-E1 Bluetooth Remote

ND Filter: 沒有任何

Exposures

Count: 21

HDR Count: 7 exposures per shot

Aperture: f11

ISO: 160

Focal Length: 108 公釐

EV values: -3, -2, -1, 0, 1, 2, 3

Shutter: 1/4000, 1/2000, 1/1000, 1/500, 1/250, 1/125, 1/60

Filters

ND Filter: 不曾用過

Gradient Filter: false

Polarizer: false

Image

Rows: 1

Shots: 0

HDR Shots: 3

Aspect: Landscape

Arrangement: 1x3

Post Production

基本工作流程

  • 我用了 燈室 將 21 個 HDR 曝光拼接成 3 個影像馬賽克
  • 我透過圖像 Topaz DeNoiseAI 消除天空、雲層和遠處山丘中的 CCD 噪音

影像調整

  • 對谷底的元素進行了對比和清晰度調整
  • 整個影像有一個非常輕的通道 黃玉銳化AI
  • 前景中的岩石被遮蓋,其曝光度降低以匹配剪影三腳架的曝光度
  • 影像被輕微裁剪以調整構圖

A graphic of the shot's layout structure

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FREQUENTLY ASKED QUESTIONS

How is my image shipped to me?

After printing each image is trimmed to include mounting margins for your framer.

It is then rolled in protective sheets and placed in an appropriately sized mailing carton.

We use 150mmx150mm (6"x6") mailing cartons to avoid excessive bending of the high quality paper we use for printing.

Depending on your selection the carton is sent via mail or courier to your nominated address

What paper is my image printed on?

We use very high quality acid-free papers from Hahnemuhle.


We usually print on Ultra Smooth Cotton Rag at 308 gsm.

How is my image authenticated?

Each print is personally named, numbered and signed by me.


Additionally I also emboss the margin of the print with our logo.


Finally each print comes with a certificate of authentication which includes an encrypted QR code containing a unique print identifier and the known provenance of the print.

Are the images on the website copyrighted?

All images on the Amuigh Faoin Speir website are copyright the author. A great deal of time and effort goes into the acquisition and production of each image and unauthorized use of any of the images is prohibited.


All images have been invisibly watermarked and their unauthorized use anywhere on the web is continuously monitored.


Should an unauthorized use of any image be discovered the user of that image is liable for post-use licensing fees as laid out in the Terms of Service, Section 13 - Unauthorized Usage of Images.

What's the best way to frame my image?

What's the best way to light my image?

Why does the price of each image vary over time?

Each of the images comes in three sizes, Feature, Mural and Nook.

For each image each size has a restricted and predetermined run size.

We guarantee that this run size will never be exceeded, ever.

This means that there is a natural scarcity for each image/size combination and as prints are sold that scarcity increases with a corresponding increase in the price for the next print.

This approach provides an opportunity for early purchasers to acquire an appreciating asset the market value for which increases with each subsequent purchase of that image/size combination

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