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A beautiful silhouette of a bush taken during a rest stop as I climbed above a mist filled valley to the top of the Western Arthurs in Tasmania, Australia.

早晨休息

¥15,000 JPY
1149
1149
299
299
79
79

當我爬過充滿霧氣的山谷,登上澳洲塔斯馬尼亞州西亞瑟山的山頂時,我在休息站拍攝了一張美麗的灌木剪影。

角落特徵壁畫
Dimensions
  • Story
  • Planning
  • Technical

How this shot came about.

前一天晚上,Moraine A 的最後 350 垂直米(1150 英尺)被證明太具有挑戰性,無法嘗試。在之前的 600m(1950 英尺)路程中,我的背包的 40 公斤(90 磅)已經給我帶來了壓力,而在這 8 小時之後進一步努力的前景超出了我的準備承受範圍。相反,我選擇在山邊露營。

隔天早上,我在 04:30 左右醒來,當我在 05:00 左右打開帳篷時,迎接我的是美麗的黎明天空和下面山谷中奇妙的、翻騰的逆溫層。

感覺神清氣爽、精力充沛,我開始著手攻克最後一段,到達冰磧頂部。這次的攀登比前一天陡峭很多,最終我的進度是每分鐘垂直米1!然而,我認為每分鐘都會讓我離冰磧頂部更近 1m,所以我繼續戰鬥。

這張照片是在我的營地上方約 120m(390 英尺)處拍攝的。我脫下背包休息了一會兒,花了幾分鐘用布吸乾泉水並裝進水瓶裡,然後當我坐在一塊平坦的岩石上俯瞰山谷並沐浴在早晨的陽光下時,我發現我左邊的這棵枯樹(有點發育不良)。

在滑雪道外,穿過雜亂的巨石,我找到了一個很好的有利位置來拍攝這張剪影。對我來說,這張照片捕捉了早晨攀登時的樂觀情緒。

Shot Location

The Shot

《西部亞瑟王》的規劃更多是為了了解定期席捲山脈的雲和雨。在像這樣的荒野環境中,沒有可用的網路服務,我的主要資訊來源是我可以在我的手機上接收到的衛星天氣。 Garmin 蒙大拿 700i 全球定位系統。

在這種情況下,拍攝計劃就是要密切注意拍攝機會,然後在出現時抓住它們。

The Photographer's Ephemeris showing the shot location

The Photographer’s Ephemeris is a trademark of Crookneck Consulting LLC, registered in the United States.
Please visit their website at https://photoephemeris.com for more details
All other trademarks and logos remain the property of their respective owners

Gear

Camera: Canon EOS R5

Lens: Canon RF 15-35mm f2.8L IS USM

Storage: ProGrade Cobalt CF Express B 325Gb

Ballhead: Really Right Stuff BH-40

Tripod: Really Right Stuff TFC-34L Mk2

Cable Release: Canon BR-E1 Bluetooth Remote

ND Filter: 沒有任何

Exposures

Count: 5

HDR Count: 5 exposures per shot

Aperture: f10

ISO: 100

Focal Length: 15 公釐

EV values: -3, -2, -1, 0, 1

Shutter: 1/2500, 1/1250, 1/640, 1/320, 1/160

Filters

ND Filter: 不曾用過

Gradient Filter: false

Polarizer: false

Image

Rows: 1

Shots: 0

HDR Shots: 1

Aspect: Landscape

Arrangement: 1x1

Post Production

基本工作流程

  • 我用了 燈室 將我拍攝的 7 張 HDR 曝光中的 5 張拼接成一張影像
    • 最亮的曝光使陽光下的細節被曝光
  • 我透過圖像 Topaz DeNoiseAI 消除天空、雲層和逆溫層中的 CCD 噪音

影像調整

  • 對背景中的山坡進行了對比度和清晰度調整
  • 我使用光度遮罩來控制太陽的相對亮度
  • 有一道光穿過影像 黃玉銳化AI
  • 調整雲的對比度以顯示一些細節
  • 我用了 Photoshop的斑點修復工具可去除前景中一些吸引註意力的雜草
  • 影像被裁剪以收緊構圖

A graphic of the shot's layout structure

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FREQUENTLY ASKED QUESTIONS

How is my image shipped to me?

After printing each image is trimmed to include mounting margins for your framer.

It is then rolled in protective sheets and placed in an appropriately sized mailing carton.

We use 150mmx150mm (6"x6") mailing cartons to avoid excessive bending of the high quality paper we use for printing.

Depending on your selection the carton is sent via mail or courier to your nominated address

What paper is my image printed on?

We use very high quality papers from Hahnemuhle.


We usually print on Ultra Smooth Cotton Rag at 308 gsm.

How is my image authenticated?

Each print is personally named, numbered and signed by me.


Additionally I also emboss the margin of the print with our logo.


Finally each print comes with a certificate of authentication which includes an encrypted QR code containing a unique print identifier and the known provenance of the print.

Are the images on the website copyrighted?

All images on the Amuigh Faoin Speir website are copyright the author. A great deal of time and effort goes into the acquisition and production of each image and unauthorized use of any of the images is prohibited.


All images have been invisibly watermarked and their unauthorized use anywhere on the web is continuously monitored.


Should an unauthorized use of any image be discovered the user of that image is liable for post-use licensing fees as laid out in the Terms of Service, Section 13 - Unauthorized Usage of Images

What's the best way to frame my image?

What's the best way to light my image?

Why does the price of each image vary over time?

Each of the images comes in three sizes, Feature, Mural and Nook.

For each image each size has a restricted and predetermined run size.

We guarantee that this run size will never be exceeded, ever.

This means that there is a natural scarcity for each image/size combination and as prints are sold that scarcity increases with a corresponding increase in the price for the next print.

This approach provides an opportunity for early purchasers to acquire an appreciating asset the market value for which increases with each subsequent purchase of that image/size combination

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