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Beautiful pre-dawn clouds over Wineglass Bay near Freycenet in Tasmania, Australia reveal a hidden gem. I took the shot to capture the helicopter but the long exposure captured the amazing colors of the sky.

阿卡莎(以太)

¥67,100
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澳洲塔斯馬尼亞州菲斯內特附近的酒杯灣上空美麗的黎明前雲彩揭示了一顆隱藏的寶石。我拍攝的是直升機,但長時間曝光捕捉了天空令人驚嘆的色彩。

角落特徵壁畫
Dimensions
  • Story
  • Planning
  • Technical

How this shot came about.

幾年前,在我上次訪問塔斯馬尼亞時,我捕捉到了 菲斯奈黎明 我喜歡這個鏡頭的瞬間性質。

在 2023 年塔斯馬尼亞之旅中,我想回到圖爾維爾角燈塔,看看是否還有機會在不同條件下拍攝酒杯灣的影像。我確實重訪了燈塔 烈火(火) 這是黎明後幾分鐘拍攝的最終照片之一。這張照片有一個更多的方格故事...

感受到嚴重的影響 似曾相識 (從 7 年前開始) 我架起三腳架和相機,開始練習全景掃描,等待黎明。我還拍了一張整體廣角的照片,為後面拼接全景提供參考。與我之前在海角的經歷不同,今天早上,海上出現了相當嚴重的薄霧和陰霾,但我堅持期望陰霾會在到來的陽光的溫暖下消散。

當太陽升起時,我為這個場景拍攝了12 張獨立的全景圖,每張都進行了70 次曝光,但在後期製作中,它們都毫無用處,因為我拍攝的全景圖在半島上空的影像中存在間隙- 使用者錯誤,將峰值誤認為另一個峰值平移太遠而無法進行拼接。

幸運的是,我在完全放棄拍攝之前的最後一步是重新審視我拍攝了大約 10 分鐘的參考鏡頭 黎明時分,讓我非常高興的是,這就是你在這裡看到的鏡頭。

低光源下的長時間曝光增強了天空令人驚嘆的色彩,將水面上的霧氣塗抹成幽靈般的痕跡,並在前景中使拍打海岸線的海浪「泡沫化」。

這張照片是我的旅行中題為“元素”的五張照片系列中的第五張,代表了第五種元素,以太,我喜歡這張照片的空靈本質,它的脈輪參考配色方案,巧妙隱藏的直升機,當然還有它的偶然性起源。

Shot Location

This Shot

這張照片是試圖捕捉另一張照片(參見 菲斯奈黎明)清晨拍攝的酒杯灣,變成 阿卡莎(以太).

前兩天我斷斷續續檢查過 無雲之夜 確定黎明前約 4 小時至黎明後約 2 小時期間圖爾維爾角周圍所有高雲、中雲和低雲的數量和移動方向。對於像這樣的鏡頭來說,它非常依賴照明,如果地平線上有一大片雲層擋住了太陽,那麼在黑暗中等待拍攝的努力就沒有意義了。

當然,在完成所有計劃之後,無論如何我都必須重新考慮當天的拍攝。雲朵都達到了預期的效果,為我帶來了這些令人難以置信的中高級色彩帶。

然而,這張照片(至少正如我所設想的那樣)永遠不會成功,因為海霧堅持模糊了海角的細節,直到我意識到霧是不同但同樣可愛的構圖的一個組成部分。


The Photographer's Ephemeris showing the shot location

The Photographer’s Ephemeris is a trademark of Crookneck Consulting LLC, registered in the United States.
Please visit their website at https://photoephemeris.com for more details
All other trademarks and logos remain the property of their respective owners

Gear

Camera: Canon EOS R5

Lens: Canon RF 15-35mm f2.8L IS USM

Storage: ProGrade Cobalt CF Express B 325Gb

Ballhead: Really Right Stuff BH-40

Tripod: Really Right Stuff TFC-34L Mk2

Cable Release: Canon BR-E1 Bluetooth Remote

ND Filter: 沒有任何

Exposures

Count: 7

HDR Count: 7 exposures per shot

Aperture: f4.0

ISO: 125

Focal Length: 28 公釐

EV values: -3, -2, -1, 0, 1, 2, 3

Shutter: 0"8, 1"6, 3"2, 6", 13", 30", 25"

Filters

ND Filter: 不曾用過

Gradient Filter: false

Polarizer: false

Image

Rows: 1

Shots: 0

HDR Shots: 1

Aspect: Landscape

Arrangement: 1x1

Post Production

基本工作流程

  • 我用了 燈室 將 7 個 HDR 曝光拼接到一張影像中。
    • 顏色強度在這個階段顯現出來!
  • 我透過圖像 Topaz DeNoiseAI
    • 從影像中移除 CCD 偽影
    • 特別是在雲層和海洋表面

影像調整

  • 當我對結果感到滿意後,就通過了 黃玉銳化AI
    • 光線穿過整個影像
    • 使用稍強的跨雲設定的遮罩通道
    • 高度遮蔽穿過直升機的亮點,以顯示一些旋翼細節
      • 謝謝 佳能 R5 出色的 CCD。從這麼遠的距離看,細節非常好!
      • 我認為轉子重影是必要的罪惡,因為我不想更廣泛地消除影像的重影
  • 我沒有使用任何 DeHaze,因為霧氣產生了很好的空靈效果
  • 注意 根本沒有應用顏色調整。
    • 該影像正是 CCD 在 4/5" 至 30" 7 次曝光中看到的影像
  • 圖像從底部裁剪,將海岸線帶入框架的右下邊緣

A graphic of the shot's layout structure

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How is my image shipped to me?

After printing each image is trimmed to include mounting margins for your framer.

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We usually print on Ultra Smooth Cotton Rag at 308 gsm.

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Each print is personally named, numbered and signed by me.


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