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A long exposure capture of organic forms with tree roots mirroring water flow at Gledhill Falls on McCarrs Creek near Terrey Hills, NSW, Australia.

格萊德希爾瀑布

¥42,300 JPY
449
449
99
99
29
29

長時間曝光拍攝的有機形態,樹根反映了澳洲新南威爾斯州特雷山附近麥卡溪的格萊德希爾瀑布的水流。 拍攝於麥卡溪形成的溝壑底部。

角落特徵壁畫
Dimensions
  • Story
  • Planning
  • Technical

How this shot came about.

為了尋找有價值的影像而廣泛撒下攝影網並不是找到精彩照片的唯一方法。大自然蘊藏著豐富的奇蹟,有時只要深入當地的環境就能找到它們。

這張照片拍攝於一個週末,我正想為作品集拍攝一張瀑布照片。麥卡溪 (McCarr's Creek) 溝壑和格萊德希爾瀑布 (Gledhill Falls) 距離我們在雪梨的家僅約 20 分鐘車程,所以一個週日早上我出發去看看我能看到什麼。

經過短暫的車程,然後步行 15 分鐘到達溝壑頂部,我爬下 10-12m(33-40 英尺)的峽谷壁,沿著瀑布微弱的聲音向上游進發。

牆壁似乎在我上方彎曲,午後的陽光艱難地照射到我正在行走的地方,但過了一會兒,我繞過了一個彎,峽谷開闊了一些,改善了光線,我發現這股漂亮的細流彈了回來岩石落入下面的水池中。

我最初在這張圖片中設置在樹的瀑布一側,並嘗試了各種構圖和中性密度濾鏡的等級來嘗試捕捉有趣的鏡頭 - 但沒有成功。經過大約一個半小時​​和 15 次嘗試後,我決定今天顯然不是這一天,並開始原路返回到我爬進去的地方。

當我走開時,有件事讓我回頭再看一眼——就在那時我看到了這張照片。這個構圖正是我一直在尋找的,使用 15 級中性密度,我能夠凍結瀑布並捕捉到豐富的色彩。

在這張照片中捕捉到向地性的兩個時間範圍是我拍攝這張照片的原因。影像將水的流動和樹根的流動帶入同一畫面。兩者都由重力驅動,並且都表現出相同的流動模式。 

Shot Location

The Shot

我想在我們住的地方附近找到一個瀑布的照片,並花了一些時間在 KuRingGai 和公園與野生動物網站上研究它們的位置。

格萊德希爾瀑布的位置使得我在瀑布所在的溝壑中時可以享受午後的陽光(或者我是這麼認為的!)

The Photographer's Ephemeris showing the shot location

The Photographer’s Ephemeris is a trademark of Crookneck Consulting LLC, registered in the United States.
Please visit their website at https://photoephemeris.com for more details
All other trademarks and logos remain the property of their respective owners

Gear

Camera: Canon EOS 7D

Lens: Canon EF-S 18-55mm f3.5-5.6 IS

Storage: SanDisk Extreme Pro CF UDMA 7 64Gb

Ballhead: Manfrotto 498RC2

Tripod: Manfrotto 055XPROB

Cable Release: Promote

ND Filter: NISI

Exposures

Count: 1

HDR Count: 0 exposures per shot

Aperture: f5.6

ISO: 100

Focal Length: 23 公釐

EV values: 0

Shutter: 138"

Filters

ND Filter: 15 stops

Gradient Filter: false

Polarizer: false

Image

Rows: 1

Shots: 1

HDR Shots: 0

Aspect: Portrait

Arrangement: 1x1

Post Production

基本工作流程

  • 此影像是使用 ND 濾鏡拍攝的單次長時間曝光 (138"),因此無需拼接
  • 我透過圖像 Topaz DeNoiseAI
    • 從影像中移除 CCD 偽影
    • 特別是在瀑布上方洞穴的較暗區域
  • 我用了 Photoshop的斑點修復工具可從影像中消除相當多的感光元件偽影

影像調整

  • 一旦我對結果感到滿意,就會有光穿過 黃玉銳化AI
  • 我使用斑點修復工具刪除了一些小交叉樹枝,這些樹枝妨礙了前景中樹根的流動
  • 我降低了左上角岩石架的亮度,因為它會將視線從主要拍攝對像上移開
  • 圖像被裁剪以對比水的運動和樹根的流動

A graphic of the shot's layout structure

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FREQUENTLY ASKED QUESTIONS

How is my image shipped to me?

After printing each image is trimmed to include mounting margins for your framer.

It is then rolled in protective sheets and placed in an appropriately sized mailing carton.

We use 150mmx150mm (6"x6") mailing cartons to avoid excessive bending of the high quality paper we use for printing.

Depending on your selection the carton is sent via mail or courier to your nominated address

What paper is my image printed on?

We use very high quality papers from Hahnemuhle.


We usually print on Ultra Smooth Cotton Rag at 308 gsm.

How is my image authenticated?

Each print is personally named, numbered and signed by me.


Additionally I also emboss the margin of the print with our logo.


Finally each print comes with a certificate of authentication which includes an encrypted QR code containing a unique print identifier and the known provenance of the print.

Are the images on the website copyrighted?

All images on the Amuigh Faoin Speir website are copyright the author. A great deal of time and effort goes into the acquisition and production of each image and unauthorized use of any of the images is prohibited.


All images have been invisibly watermarked and their unauthorized use anywhere on the web is continuously monitored.


Should an unauthorized use of any image be discovered the user of that image is liable for post-use licensing fees as laid out in the Terms of Service, Section 13 - Unauthorized Usage of Images

What's the best way to frame my image?

What's the best way to light my image?

Why does the price of each image vary over time?

Each of the images comes in three sizes, Feature, Mural and Nook.

For each image each size has a restricted and predetermined run size.

We guarantee that this run size will never be exceeded, ever.

This means that there is a natural scarcity for each image/size combination and as prints are sold that scarcity increases with a corresponding increase in the price for the next print.

This approach provides an opportunity for early purchasers to acquire an appreciating asset the market value for which increases with each subsequent purchase of that image/size combination

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