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A meditative shot of stones reflecting clouds in the still waters of MacIntosh Dam. Taken near Tullah in Tasmania, Australia.

賈拉(水)

¥20,700 JPY
899
899
249
249
59
59

在麥金托什大壩平靜的水面上,石頭倒映著雲彩的冥想鏡頭。拍攝於澳洲塔斯馬尼亞州塔拉附近。

角落特徵壁畫
Dimensions
  • Story
  • Planning
  • Technical

How this shot came about.

所有來源的數據都顯示塔拉周圍的山上又出現了 24 小時的降雨。儘管有這些可怕的預測,但我還是試著認為,在光線、大氣和地形條件都具備的條件下,有可能拍出一張好照片的時刻將會出現。

我已經得到了橋上倒影的獎勵 瓦尤(水) 當我決定沿著便道前往麥金托什大壩,看看小路盡頭有什麼時,我繼續蜿蜒穿過塔拉周圍的山丘。

我越過水壩,在鐵軌東邊的水壩邊緣發現了一片卵石海灘。陡峭的下降使車輛到達了它能到達的最遠位置,從那裡,一個短的攝影設備入口讓我在水邊進行了設置。

我拍攝了使用或不使用 ND 濾鏡的場景的幾個不同版本,但這張影像呈現出多方面的吸引力。從幾個不同的層面來看,這是一個相當技術性的鏡頭。泥炭水和天空的互補色,水下褪色的石頭模仿山坡的形狀,石頭反射雲朵,石頭的軸線和雲彩在右側鏡頭外的地平線上相遇。

這張照片是我的旅行中題為“元素”的五張照片系列中的第四張,代表第四個元素,水。由於所有這些原因,我喜歡這張圖片,但當然,這張圖片也從其格式塔中具有強烈的視覺吸引力。

Shot Location

The Shot

所有來源的數據都顯示塔拉周圍的山上又出現了 24 小時的降雨。

我決定在天氣晴朗的時候進行平底船,並準備好利用任何良好的光線、氣氛和地形的時刻。我使用攝影師星曆來偵察當地區域,並沿著小路前往麥金托什大壩拍攝這張照片。一旦我到達大壩附近,就會進行位置偵察過程,以確定拍攝影像的位置。

我嘗試了 4 個不同的地點,大概拍攝了大約 20 張全景圖,但最終選擇了這張照片。

The Photographer's Ephemeris showing the shot location

The Photographer’s Ephemeris is a trademark of Crookneck Consulting LLC, registered in the United States.
Please visit their website at https://photoephemeris.com for more details
All other trademarks and logos remain the property of their respective owners

Gear

Camera: Canon EOS R5

Lens: Canon RF 15-35mm f2.8L IS USM

Storage: ProGrade Cobalt CF Express B 325Gb

Ballhead: Really Right Stuff BH-40

Tripod: Really Right Stuff TFC-34L Mk2

Cable Release: Canon BR-E1 Bluetooth Remote

ND Filter: 沒有任何

Exposures

Count: 7

HDR Count: 7 exposures per shot

Aperture: f10

ISO: 100

Focal Length: 15 公釐

EV values: -3, -2, -1, 0, 1, 2, 3

Shutter: 1/500, 1/250, 1/8, 1/15, 1/30, 1/60, 1/125

Filters

ND Filter: 不曾用過

Gradient Filter: false

Polarizer: false

Image

Rows: 1

Shots: 0

HDR Shots: 1

Aspect: Portrait

Arrangement: 1x1

Post Production

基本工作流程

  • 我用了 燈室 將 7 個 HDR 曝光拼接到一張影像中。
  • 我用了 燈室 使水位線完全水平。
  • 我用了 Photoshop的斑點修復工具可以耐心地從水面去除 1,720 片葉子
  • 我透過圖像 Topaz DeNoiseAI 消除天空、雲層和水中的 CCD 噪音

影像調整

  • 對背景中的山坡進行了對比度和清晰度調整
  • 我使用光度蒙版來調整山坡左側雲的高光的光度
  • 山坡被削尖了 黃玉銳化AI
  • 我在前景的水面上應用了非常輕的去霧效果,以增強其水晶般的性質。
  • 前景中水面上和水下的石頭都被輕輕地削尖了 黃玉銳化AI
  • 影像被裁剪以收緊構圖

A graphic of the shot's layout structure

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FREQUENTLY ASKED QUESTIONS

How is my image shipped to me?

After printing each image is trimmed to include mounting margins for your framer.

It is then rolled in protective sheets and placed in an appropriately sized mailing carton.

We use 150mmx150mm (6"x6") mailing cartons to avoid excessive bending of the high quality paper we use for printing.

Depending on your selection the carton is sent via mail or courier to your nominated address

What paper is my image printed on?

We use very high quality papers from Hahnemuhle.


We usually print on Ultra Smooth Cotton Rag at 308 gsm.

How is my image authenticated?

Each print is personally named, numbered and signed by me.


Additionally I also emboss the margin of the print with our logo.


Finally each print comes with a certificate of authentication which includes an encrypted QR code containing a unique print identifier and the known provenance of the print.

Are the images on the website copyrighted?

All images on the Amuigh Faoin Speir website are copyright the author. A great deal of time and effort goes into the acquisition and production of each image and unauthorized use of any of the images is prohibited.


All images have been invisibly watermarked and their unauthorized use anywhere on the web is continuously monitored.


Should an unauthorized use of any image be discovered the user of that image is liable for post-use licensing fees as laid out in the Terms of Service, Section 13 - Unauthorized Usage of Images

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What's the best way to light my image?

Why does the price of each image vary over time?

Each of the images comes in three sizes, Feature, Mural and Nook.

For each image each size has a restricted and predetermined run size.

We guarantee that this run size will never be exceeded, ever.

This means that there is a natural scarcity for each image/size combination and as prints are sold that scarcity increases with a corresponding increase in the price for the next print.

This approach provides an opportunity for early purchasers to acquire an appreciating asset the market value for which increases with each subsequent purchase of that image/size combination

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