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A huge panaorama overlooking Scott's Peak Dam and the Junction Creek valley. The valley floor is filled with light and shadow from the clouds scudding across the sky. Taken from atop the Western Arthurs in Tasmania, Australia.

傑克鱸魚

¥147,000
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149
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俯瞰斯科特峰大壩和交界溪山谷的巨大全景圖。谷底充滿了天空中飛馳的雲彩的光影。拍攝於澳洲塔斯馬尼亞的西亞瑟山頂

角落特徵壁畫
Dimensions
  • Story
  • Planning
  • Technical

How this shot came about.

我本來想走遍整個西亞瑟王橫貫線,但折回原路是一個艱難的決定…

做出決定後,我一早就從天鵝湖的科里爬了出來,計劃一直走到赫斯珀魯斯山,然後在冰磧 A 山頂附近露營過夜,然後再下山回到交界溪。我覺得留出一整天的時間下山是明智的,這樣可以避免另一個「中間」營地,如果事實證明它和旅行開始時的上山一樣困難,特別是因為我不喜歡再花一個晚上尋找飲用水!

我沿著這條路一直走,直到我經過了赫斯珀洛斯山,然後開始尋找合適的露營地,以盡量減少對我的影響。我最終確實找到了一個地點,但在尋找它的過程中,我發現了赫斯珀洛斯(右側)和左側岩石露頭之間的這個凹口。

這張照片中的前景急劇下降,這裡描繪的交界溪山谷令人難以置信的景色吸引了我三個小時的注意力。我感覺就像《傑克與魔豆》中的傑克爬上雲端,只是為了回首往事,想起我從哪裡來,以及我為了來到這裡所經歷的一切。

事實上,當我坐在陽光下平坦的岩石上,看著雲影在谷底悠閒地移動時,我感到很高興。在下面很遠的地方,我可以看到左邊的斯科特峰大壩,以及看似平靜的森林,第一天帶我沿著山谷走到交界溪。仔細觀察,我甚至可以看到通往冰磧 A 的部分道路,上面佈滿了石英礫石,我在完成這次具有挑戰性的攀登之前就已經走過了這條路。

對我來說,這張照片是一個寧靜時刻的紀念品,讓我意識到回頭只是一個決定,而不是像我最初感覺的那樣,是一個失敗。光是這景色就足以讓我再次回來,當我坐在那裡時,我決定在 2025 年再來。

Shot Location

This Shot

《西部亞瑟王》的規劃更多是為了了解定期席捲山脈的雲和雨。在像這樣的荒野環境中,沒有可用的網路服務,我的主要資訊來源是我可以在我的手機上接收到的衛星天氣。 Garmin 蒙大拿 700i 全球定位系統。

在這種情況下,拍攝計劃只不過是在正確的時間出現在正確的地點。


The Photographer's Ephemeris showing the shot location

The Photographer’s Ephemeris is a trademark of Crookneck Consulting LLC, registered in the United States.
Please visit their website at https://photoephemeris.com for more details
All other trademarks and logos remain the property of their respective owners

Gear

Camera: Canon EOS R5

Lens: Canon RF 70-200mm f2.8 L IS USM

Storage: ProGrade Cobalt CF Express B 325Gb

Ballhead: Really Right Stuff BH-40

Tripod: Really Right Stuff TFC-34L Mk2

Cable Release: Canon BR-E1 Bluetooth Remote

ND Filter: 沒有任何

Exposures

Count: 77

HDR Count: 7 exposures per shot

Aperture: f11

ISO: 200

Focal Length: 95 公釐

EV values: -3, -2, -1, 0, 1, 2, 3

Shutter: 1/4000, 1/2000, 1/1000, 1/500, 1/250, 1/125, 1/60

Filters

ND Filter: 不曾用過

Gradient Filter: false

Polarizer: false

Image

Rows: 1

Shots: 0

HDR Shots: 11

Aspect: Portrait

Arrangement: 1x11

Post Production

基本工作流程

  • 我用了 燈室 將 77 張 HDR 曝光拼接成 11 張影像馬賽克。
  • 我透過圖像 Topaz DeNoiseAI 
    • 從影像中移除 CCD 偽影
    • 尤其是在雲層中

影像調整

  • 該影像被屏蔽為 4 個區域,每個區域的處理略有不同
  • 除了右下角一塊吸引眼球的明亮小石頭被移除之外,前景幾乎與拍攝的一樣。
  • 谷底的中景被銳化並進行了對比調整
  • 山谷遠端的山丘應用了輕微的除霧功能
  • 天空的對比度進行了調整。
  • 雖然圖像非常大,但裁剪保持在最低限度,因為我覺得右側的懸崖框住了圖像並增加了巨大的感覺。

A graphic of the shot's layout structure

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How is my image shipped to me?

After printing each image is trimmed to include mounting margins for your framer.

It is then rolled in protective sheets and placed in an appropriately sized mailing carton.

We use 150mmx150mm (6"x6") mailing cartons to avoid excessive bending of the high quality paper we use for printing.

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What paper is my image printed on?

We use very high quality acid-free papers from Hahnemuhle.


We usually print on Ultra Smooth Cotton Rag at 308 gsm.

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Each print is personally named, numbered and signed by me.


Additionally I also emboss the margin of the print with our logo.


Finally each print comes with a certificate of authentication which includes an encrypted QR code containing a unique print identifier and the known provenance of the print.

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All images on the Amuigh Faoin Speir website are copyright the author. A great deal of time and effort goes into the acquisition and production of each image and unauthorized use of any of the images is prohibited.


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Each of the images comes in three sizes, Feature, Mural and Nook.

For each image each size has a restricted and predetermined run size.

We guarantee that this run size will never be exceeded, ever.

This means that there is a natural scarcity for each image/size combination and as prints are sold that scarcity increases with a corresponding increase in the price for the next print.

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