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Ethereal light and clouds wrap hills sweeping into a still water reflection near Tullah in Tasmania, Australia. The fleeting moment of sunshine in this shot belies the 48 hours of rain which preceded it.

瓦尤(水)

¥51,000
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349
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99
19
19

澳洲塔斯馬尼亞州塔拉附近,飄逸的光線和雲彩包裹著山脈,形成靜止的水中倒影。這張照片中轉瞬即逝的陽光掩蓋了先前 48 小時的降雨。

角落特徵壁畫
Dimensions
  • Story
  • Planning
  • Technical

How this shot came about.

即使是惡劣的天氣對於耐心的攝影師來說也是一種福音,這張照片就是在這樣的條件和耐心下誕生的。

48 小時前,我到達了州中部的塔拉,在這 48 小時裡,我醒著的大部分時間都在雨中開車尋找射擊機會,但沒有成功。大約 09:00,我發現雲層可能出現裂痕,並且有一絲藍色從北方進來,這一觀察結果與我發現拍攝這張照片的橋樑的時間一致。  

我把三腳架架在路邊的橋上,驚嘆於水面上美麗的倒影,儘管倒影相當暗淡。然後太陽衝破雲層,分開,藍天和陽光傾瀉到場景中,打開倒影,照亮樹木和山坡。

在後製中確定這一場景之前,我拍攝了該場景的六張全景圖。這張照片是我旅行中題為“元素”的五張系列照片中的第二張,代表了第二個元素,空氣。

這張照片是我個人最喜歡的照片之一——陽光穿過樹木上方的霧氣、遠處的懸崖、微妙的鏡頭光暈、令人驚嘆的倒影和河灣的神秘,所有這些結合在一起,形成了這樣的效果。

Shot Location

This Shot

所有來源的數據都表明,圖拉周圍的山上又持續了 24 小時的降雨。儘管有可怕的預測,我還是出去尋找機會,並得到了回報,在雲端休息了 20 分鐘,並獲得了相對靜止的時刻。

這就是我所說的“開車四處規劃”,因為如果不出去走走,你就永遠無法利用這個特殊的時刻。


The Photographer's Ephemeris showing the shot location

The Photographer’s Ephemeris is a trademark of Crookneck Consulting LLC, registered in the United States.
Please visit their website at https://photoephemeris.com for more details
All other trademarks and logos remain the property of their respective owners

Gear

Camera: Canon EOS R5

Lens: Canon RF 15-35mm f2.8L IS USM

Storage: ProGrade Cobalt CF Express B 325Gb

Ballhead: Really Right Stuff BH-40

Tripod: Really Right Stuff TFC-34L Mk2

Cable Release: Canon BR-E1 Bluetooth Remote

ND Filter: 沒有任何

Exposures

Count: 21

HDR Count: 7 exposures per shot

Aperture: f11

ISO: 100

Focal Length: 24 公釐

EV values: -3, -2, -1, 0, 1, 2, 3

Shutter: 1/320, 1/160, 1/80, 1/40, 1/20, 1/10, 1/5

Filters

ND Filter: 不曾用過

Gradient Filter: false

Polarizer: false

Image

Rows: 1

Shots: 0

HDR Shots: 3

Aspect: Portrait

Arrangement: 1x3

Post Production

基本工作流程

  • 我用了 燈室 將 21 個 HDR 曝光拼接成 3 個影像馬賽克
  • 我用了 Photoshop的斑點修復工具可以耐心地去除水面上的 3,840 片樹葉
  • 我透過圖像 Topaz DeNoiseAI 消除天空、雲層和水中的 CCD 噪音

影像調整

  • 對背景中的山坡進行了對比度和清晰度調整
  • 我使用光度蒙版來調整雲彩高光的光度
  • 山坡被削尖了 黃玉銳化AI
  • 調整雲的對比度以顯示一些細節
  • 影像被裁剪以收緊構圖

A graphic of the shot's layout structure

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FREQUENTLY ASKED QUESTIONS

How is my image shipped to me?

After printing each image is trimmed to include mounting margins for your framer.

It is then rolled in protective sheets and placed in an appropriately sized mailing carton.

We use 150mmx150mm (6"x6") mailing cartons to avoid excessive bending of the high quality paper we use for printing.

Depending on your selection the carton is sent via mail or courier to your nominated address

What paper is my image printed on?

We use very high quality acid-free papers from Hahnemuhle.


We usually print on Ultra Smooth Cotton Rag at 308 gsm.

How is my image authenticated?

Each print is personally named, numbered and signed by me.


Additionally I also emboss the margin of the print with our logo.


Finally each print comes with a certificate of authentication which includes an encrypted QR code containing a unique print identifier and the known provenance of the print.

Are the images on the website copyrighted?

All images on the Amuigh Faoin Speir website are copyright the author. A great deal of time and effort goes into the acquisition and production of each image and unauthorized use of any of the images is prohibited.


All images have been invisibly watermarked and their unauthorized use anywhere on the web is continuously monitored.


Should an unauthorized use of any image be discovered the user of that image is liable for post-use licensing fees as laid out in the Terms of Service, Section 13 - Unauthorized Usage of Images.

What's the best way to frame my image?

What's the best way to light my image?

Why does the price of each image vary over time?

Each of the images comes in three sizes, Feature, Mural and Nook.

For each image each size has a restricted and predetermined run size.

We guarantee that this run size will never be exceeded, ever.

This means that there is a natural scarcity for each image/size combination and as prints are sold that scarcity increases with a corresponding increase in the price for the next print.

This approach provides an opportunity for early purchasers to acquire an appreciating asset the market value for which increases with each subsequent purchase of that image/size combination

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