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A herd of Black Angus peacefully ruminating on a green sunlit hillside uncaring of the ominous clouds above. The herd was very co-operative in following the graphics in the image.

牛場強度

¥15,500 JPY
1149
1149
299
299
79
79

一群黑安格斯在陽光明媚的綠色山坡上平靜地思考,全然不顧頭頂不祥的雲彩。牛群非常配合地遵循影像中的圖形

角落特徵壁畫
Dimensions
  • Story
  • Planning
  • Technical

How this shot came about.

有時開車四處拍攝可以產生一些非常有趣的結果。一段時間後,攝影師看到的一切都被框定為可能值得(或不值得)捕捉的影像。這張照片無疑是更有價值的照片之一。

我在通往德文波特南部的鄉村道路上緩慢行駛,一邊欣賞風景,一邊觀察光線並尋找拍照的機會。我決定走 C147 的捷徑,當我到達山頂準備重新加入通往目的地的主幹道時,我在路右側的山坡上發現了這些乳牛。

我把車開到路邊,下車時手裡拿著裝有 70-200mm 相機的相機。我站了幾分鐘,觀察著這個場景,看著一小片陽光穿過大地,照向乳牛。 

這張照片是在路邊的電線桿上手持拍攝的,正好那片陽光穿過山坡。我喜歡牛群被某種無形的力量束縛在三角形結構中的樣子。它讓我想起了磁鐵上的鐵屑——這就是圖像的標題。

Shot Location

The Shot

我想計劃是一個在事件發生之前很久就開始的過程,然後計劃幾乎與事件本身同時發生。這張照片是後者類型的規劃之一。

我看到這些牛聚集在山坡上,同時看到一片陽光穿過山坡向它們滾來。在這種情況下,計劃只不過是「我想要拍攝那些被迎面而來的太陽照亮的乳牛,背後是黑暗的天空」。

五分鐘後,這就是我所擁有的

The Photographer's Ephemeris showing the shot location

The Photographer’s Ephemeris is a trademark of Crookneck Consulting LLC, registered in the United States.
Please visit their website at https://photoephemeris.com for more details
All other trademarks and logos remain the property of their respective owners

Gear

Camera: Canon EOS R5

Lens: Canon RF 70-200mm f2.8 L IS USM

Storage: ProGrade Cobalt CF Express B 325Gb

Ballhead: Really Right Stuff BH-40

Tripod: Really Right Stuff TFC-34L Mk2

Cable Release: Canon BR-E1 Bluetooth Remote

ND Filter: 沒有任何

Exposures

Count: 7

HDR Count: 7 exposures per shot

Aperture: f8.0

ISO: 125

Focal Length: 200 公釐

EV values: -3, -2, -1, 0, 1, 2, 3

Shutter: 1/1600, 1/800, 1/400, 1/200, 1/100, 1/50, 1/25

Filters

ND Filter: 不曾用過

Gradient Filter: false

Polarizer: false

Image

Rows: 1

Shots: 0

HDR Shots: 1

Aspect: Portrait

Arrangement: 1x1

Post Production

基本工作流程

  • 我用了 燈室 將 7 個 HDR 曝光拼接到一張影像中
    • 強力消幻影,應對移動的乳牛
  • 我透過圖像 Topaz DeNoiseAI
    • 從影像中移除 CCD 偽影
    • 尤其是在雲層中

影像調整

  • 當我對結果感到滿意後,就通過了 黃玉銳化AI
    • 光線穿過整個影像
    • 遮罩通道在背景景觀中使用稍強的設置,以顯示樹木的更多細節
  • 雲彩進行了對比度和清晰度調整,以突出較暗部分和較亮部分之間的差異
  • 使用斑點修復工具透過刪除影像來將影像清理為其裸露的圖形元素
    • 電圍欄
    • 電線桿
    • 未「配合」去鬼影過程的乳牛(僅 2 頭)
  • 該圖像被裁剪為方形格式,因為原始圖像在天空中“超重”,並且它更適合圖像的角度圖形

A graphic of the shot's layout structure

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FREQUENTLY ASKED QUESTIONS

How is my image shipped to me?

After printing each image is trimmed to include mounting margins for your framer.

It is then rolled in protective sheets and placed in an appropriately sized mailing carton.

We use 150mmx150mm (6"x6") mailing cartons to avoid excessive bending of the high quality paper we use for printing.

Depending on your selection the carton is sent via mail or courier to your nominated address

What paper is my image printed on?

We use very high quality papers from Hahnemuhle.


We usually print on Ultra Smooth Cotton Rag at 308 gsm.

How is my image authenticated?

Each print is personally named, numbered and signed by me.


Additionally I also emboss the margin of the print with our logo.


Finally each print comes with a certificate of authentication which includes an encrypted QR code containing a unique print identifier and the known provenance of the print.

Are the images on the website copyrighted?

All images on the Amuigh Faoin Speir website are copyright the author. A great deal of time and effort goes into the acquisition and production of each image and unauthorized use of any of the images is prohibited.


All images have been invisibly watermarked and their unauthorized use anywhere on the web is continuously monitored.


Should an unauthorized use of any image be discovered the user of that image is liable for post-use licensing fees as laid out in the Terms of Service, Section 13 - Unauthorized Usage of Images

What's the best way to frame my image?

What's the best way to light my image?

Why does the price of each image vary over time?

Each of the images comes in three sizes, Feature, Mural and Nook.

For each image each size has a restricted and predetermined run size.

We guarantee that this run size will never be exceeded, ever.

This means that there is a natural scarcity for each image/size combination and as prints are sold that scarcity increases with a corresponding increase in the price for the next print.

This approach provides an opportunity for early purchasers to acquire an appreciating asset the market value for which increases with each subsequent purchase of that image/size combination

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