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Rapidly encroaching clouds above the Glasshouse Mountains taken from atop Wild Horse Mountain in Queensland Australia

B612

$200.00 AUD
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Rapidly encroaching clouds above the Glasshouse Mountains taken from atop Wild Horse Mountain in Queensland Australia. These volcanic plugs are reminiscent (to me at least) of the planet where The Little Prince lived - hence the image title, "B612"

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Dimensions
  • Story
  • Planning
  • Technical

How this shot came about.

This shot comes from another of my Noosa hinterland excursions but this time heading more South towards Brisbane than West into the hills.

The entire region is peppered with the remnants of the major volcanic activity which created many of the features of the east coast of Australia in the last 2-20 million years as the Pacific Plate was pushed under the Indo-Australian Plate.

This image is of the Glasshouse Mountains and shows several volcanic plugs - the volcanic vents of much larger volcanic eruptions the shells of which have long since eroded away. I had often seen them on the years we drove from Brisbane airport to Noosa and had been itching to find an appropriate vantage point from which to shoot them.

There are several vantage points for photography recommended by Queensland Parks and Forests but the sunrise lighting from those points always has the camera pointing into the sun. A look at the topographical map yielded the enticingly named "Wild Horse Mountain" on the Eastern edge of the mountain area and with a convenient lookout platform at the top.

Another early start (4am) and I was on the highway heading South until I reached the base of the mountain. Then a fairly steep climb brought me out onto a little cleared plateau at the top with a very nicely constructed view platform.

From here I had 360° views with the coast and the sunrise out to the East and the volcanoes to the West. The wind had picked up to a Beaufort 6/7 and while I took several sunward shots they were all unsuccessful due to pretty severe camera shake. I canned that idea and concentrated on my westward shot.

I actually thought that the entire enterprise would be in vain - mainly due to a bland and featureless sky - but in the end the wind was my friend and pushed this beautiful cloud bank across the frame so I re-imagined my panorama as a vertical rather than horizontal one and I am pleased with the result.

 

Shot Location

The Shot

There are many possible vantage points around the Glasshouse Mountains from which to take photographs however most of them would have placed me facing into the sunrise on this fine morning and I was looking for a shot where the mountains were lit from behind the camera position.

After trawling though various “what to do around Noosa” websites I settled on the lookout at Wild Horse Mountain as the most likely vantage point for the shot I was after.

Cloud Free Night provided me with the cloud cover data I needed and while there was cloud rolling down the coast after the sunrise  there was little to no high, mid level or low cloud predicted for 2 hours before dawn to about 1 hour after it. This meant that the Golden Hour light would wash over the faces of the mountains - as indeed it did.

The Photographer's Ephemeris showing the shot location

The Photographer’s Ephemeris is a trademark of Crookneck Consulting LLC, registered in the United States.
Please visit their website at https://photoephemeris.com for more details
All other trademarks and logos remain the property of their respective owners

Gear

Camera: Canon EOS 7D

Lens: Canon EF-S 18-55mm f3.5-5.6 IS

Storage: SanDisk Extreme Pro CF UDMA 7 64Gb

Ballhead: Manfrotto 498RC2

Tripod: Manfrotto 055XPROB

Cable Release: Promote

ND Filter: None

Exposures

Count: 14

HDR Count: 7 exposures per shot

Aperture: f11

ISO: 100

Focal Length: 43 mm

EV values: -3, -2, -1, 0, 1, 2, 3

Shutter: 1/1250, 1/640, 1/320, 1/160, 1/80, 1/40, 1/20

Filters

ND Filter: Not used

Gradient Filter: false

Polarizer: false

Image

Rows: 2

Shots: 0

HDR Shots: 2

Aspect: Landscape

Arrangement: 2x1

Post Production

Basic Workflow

  • I used Lightroom to stitch the 14 HDR exposures together into a 2 image mosaic
  • I passed the image through Topaz DeNoiseAI 
    • removing CCD artifacts from the image
    • particularly in the clouds and the clear areas of the sky
  • I used Photoshop's spot healing tool to remove quite a few sensor artifacts from the image

Image Adjustment

  • Once I was satisfied with the results there was a pass through Topaz SharpenAI
    • A light pass across the whole image 
    • A masked pass using slightly stronger settings across the foreground landscape to bring out more detail in the trees
  • There was a contrast and clarity adjustment to the clouds to accentuate the difference between the darker and lighter portions
  • A slight push in the greens of the foliage to get their intensity to better match that of the sky
  • A subtle warmth was added to the faces of the volcanic plugs
  • The image was cropped in to leave the clouds exiting the top left hand third

A graphic of the shot's layout structure

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