Sale Off
A beautiful silhouette of a bush taken during a rest stop as I climbed above a mist filled valley to the top of the Western Arthurs in Tasmania, Australia.

Morning Respite

$150.00 AUD
1149
1149
299
299
79
79

A beautiful silhouette of a bush taken during a rest stop as I climbed above a mist filled valley to the top of the Western Arthurs in Tasmania, Australia.

NookFeatureMural
Dimensions
  • Story
  • Planning
  • Technical

How this shot came about.

The previous evening the last 350 vertical meters (1150 ft) of Moraine A had proved too challenging to attempt. The 40kg (90lbs) of my rucksack had already weighed on me for the previous 600m (1950ft) and the prospect of further effort after those 8hrs was more than I was prepared to take on. Instead I chose to bivouac on the side of the mountain.

The following morning I was awake at about 04:30 and when I cracked open the tent, at about 05:00, I was greeted by a beautiful dawn sky and a fantastic, roiling, inversion layer way down in the valley below.

Feeling refreshed and reinvigorated I set about tackling that last section to the top of the moraine. The climbing was significantly steeper than the previous day and, in the final analysis, my progress ended up being 1 vertical meter per minute! However I was taking the view that each minute brought me 1m closer to the top of the moraine so I battled on.

This shot was taken about 120m (390ft) above my campsite. I had taken off the rucksack for a longer rest, spent a few minutes using a cloth to soak up water from a spring and into my water bottles and then as I sat on a flat rock surveying the valley and basking in the morning sun I spotted this knarley (and somewhat stunted) tree off to my left.

Off-piste and across higgledy-piggledy boulders I found a nice vantage point to take this sihouette. For me, it's an image which captures the optimism of that morning climb.

Shot Location

The Shot

Planning in The Western Arthurs is much more about understanding the likely cloud and rain that sweeps regularly over the mountains. In a wilderness circumstance such as this, where no internet services are available, my primary source of information becomes the satellite weather I can receive on my Garmin Montana 700i GPS.

In this instance the planning for the shot was all about keep ones eyes open for shot opportunities and then taking them when they arose.

The Photographer's Ephemeris showing the shot location

The Photographer’s Ephemeris is a trademark of Crookneck Consulting LLC, registered in the United States.
Please visit their website at https://photoephemeris.com for more details
All other trademarks and logos remain the property of their respective owners

Gear

Camera: Canon EOS R5

Lens: Canon RF 15-35mm f2.8L IS USM

Storage: ProGrade Cobalt CF Express B 325Gb

Ballhead: Really Right Stuff BH-40

Tripod: Really Right Stuff TFC-34L Mk2

Cable Release: Canon BR-E1 Bluetooth Remote

ND Filter: None

Exposures

Count: 5

HDR Count: 5 exposures per shot

Aperture: f10

ISO: 100

Focal Length: 15 mm

EV values: -3, -2, -1, 0, 1

Shutter: 1/2500, 1/1250, 1/640, 1/320, 1/160

Filters

ND Filter: Not used

Gradient Filter: false

Polarizer: false

Image

Rows: 1

Shots: 0

HDR Shots: 1

Aspect: Landscape

Arrangement: 1x1

Post Production

Basic Workflow

  • I used Lightroom to stitch 5 of the 7 HDR exposures I had taken together into a single image
    • The brightest exposures were blowing out the detail in the sun
  • I passed the image through Topaz DeNoiseAI removing CCD noise from the sky, clouds and inversion layer 

Image Adjustment

  • There was a contrast and clarity adjustment to the hillside in the background
  • I used a luminosity mask to control the relative brightness of the sun
  • There was a light pass across the image with Topaz SharpenAI
  • The contrast of the clouds was adjusted to bring out some details
  • I used Photoshop's spot healing tool to remove some whispy grass in the foreground which was drawing the eye from the subject
  • The image was cropped in to tighten the composition

A graphic of the shot's layout structure

YOU MIGHT ALSO LIKE
from $1,100.00
from $350.00

FIND YOUR ANSWERS HERE

FREQUENTLY ASKED QUESTIONS

How is my image shipped to me?

After printing each image is trimmed to include mounting margins for your framer.

It is then rolled in protective sheets and placed in an appropriately sized mailing carton.

We use 150mmx150mm (6"x6") mailing cartons to avoid excessive bending of the high quality paper we use for printing.

Depending on your selection the carton is sent via mail or courier to your nominated address

What paper is my image printed on?

We use very high quality papers from Hahnemuhle.


We usually print on Ultra Smooth Cotton Rag at 308 gsm.

How is my image authenticated?

Each print is personally named, numbered and signed by me.


Additionally I also emboss the margin of the print with our logo.


Finally each print comes with a certificate of authentication which includes an encrypted QR code containing a unique print identifier and the known provenance of the print.

Are the images on the website copyrighted?

All images on the Amuigh Faoin Speir website are copyright the author. A great deal of time and effort goes into the acquisition and production of each image and unauthorized use of any of the images is prohibited.


All images have been invisibly watermarked and their unauthorized use anywhere on the web is continuously monitored.


Should an unauthorized use of any image be discovered the user of that image is liable for post-use licensing fees as laid out in the Terms of Service, Section 13 - Unauthorized Usage of Images

What's the best way to frame my image?

What's the best way to light my image?

Why does the price of each image vary over time?

Each of the images comes in three sizes, Feature, Mural and Nook.

For each image each size has a restricted and predetermined run size.

We guarantee that this run size will never be exceeded, ever.

This means that there is a natural scarcity for each image/size combination and as prints are sold that scarcity increases with a corresponding increase in the price for the next print.

This approach provides an opportunity for early purchasers to acquire an appreciating asset the market value for which increases with each subsequent purchase of that image/size combination

Can't find an answer to your question?

Email us at enquiries@outunderthesky.com

Name:*

Phone:(optional)

Email:*

Message:*