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Peeping around a rock at the top of the corrie wall to catch a glimpse of Lake Cygnus below. Taken on a beautiful morning at the top of the Western Arthurs in Tasmania, Australia
Peeping around a rock at the top of the corrie wall to catch a glimpse of Lake Cygnus below. Taken on a beautiful morning at the top of the Western Arthurs in Tasmania, Australia
Cygnus Overwatch
Cygnus Overwatch
Cygnus Overwatch
The different image sizes, Nook, Feature and Mural, shown to scale against a human figure. This comparison is for

Cygnus Overwatch

€188,95 EUR
599
599
149
149
39
39

Peeping around a rock at the top of the corrie wall to catch a glimpse of Lake Cygnus below. Taken on a beautiful morning at the top of the Western Arthurs in Tasmania, Australia

NookFeatureMural
Dimensions
  • Story
  • Planning
  • Technical

How this shot came about.

It's difficult to convey the sheer joy of walking along the Western Arthurs Traverse particularly when the weather is as beautiful as it was.

I was having a great photographic day with a target rich environment and great lighting. I had already taken Neptune's Sisters and Nature's Cathederal and was casting around looking for other perspectives from the top of the Lake Cygnus corrie walls when I came across this little composition just waiting to be taken.

The wind was still gusting to 100kph (62mph) from the North but I wasn't complaining as it was creating and ever-changing texture in the sky. It was nice to be able to hunker down in the lee of the rock on the right of this image and get this shot of Lake Cygnus 250m (825ft) below.

Shot Location

The Shot

Planning in The Western Arthurs is much more about understanding the likely cloud and rain that sweeps regularly over the mountains. In a wilderness circumstance such as this, where no internet services are available, my primary source of information becomes the satellite weather I can receive on my Garmin Montana 700i GPS.

This shot was one of several I took on this day once I realized I would have a 6-8 hour window of high cloud and little rain.

Planning here also involved cutting back my rucksack to the bare essentials for safety as well as photography in order to minimize its weight. It made for a very pleasant “carry”.

The Photographer's Ephemeris showing the shot location

The Photographer’s Ephemeris is a trademark of Crookneck Consulting LLC, registered in the United States.
Please visit their website at https://photoephemeris.com for more details
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Gear

Camera: Canon EOS R5

Lens: Canon RF 15-35mm f2.8L IS USM

Storage: ProGrade Cobalt CF Express B 325Gb

Ballhead: Really Right Stuff BH-40

Tripod: Really Right Stuff TFC-34L Mk2

Cable Release: Canon BR-E1 Bluetooth Remote

ND Filter: None

Exposures

Count: 14

HDR Count: 7 exposures per shot

Aperture: f11

ISO: 125

Focal Length: 35 mm

EV values: -3, -2, -1, 0, 1, 2, 3

Shutter: 1/800, 1/400, 1/200, 1/100, 1/50, 1/25, 1/13

Filters

ND Filter: Not used

Gradient Filter: false

Polarizer: false

Image

Rows: 2

Shots: 0

HDR Shots: 2

Aspect: Landscape

Arrangement: 2x1

Post Production

Basic Workflow

  • I used Lightroom to stitch the 14 HDR exposures together into a 2 image mosaic.
  • I passed the image through Topaz DeNoiseAI 
    • removing CCD artifacts from the image
    • particularly in the clouds

Image Adjustment

  • Once I was satisfied with the results there was a very light pass through Topaz SharpenAI
  • Then a masked pass on the rocks to the right of the image
  • A contrast adjustment to the clouds was done
  • The original format was very “overweight” in the foreground and the sky so I moved to a square format
  • Cropping was done to place the light strike on the foreground rock into the bottom left corner

A graphic of the shot's layout structure

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After printing each image is trimmed to include mounting margins for your framer.

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