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Mount Roland in all its splendour hides a little excavator in the foreground. Taken in the hinterland to the south of Devonport in Tasmania, Australia.
Mount Roland in all its splendour hides a little excavator in the foreground. Taken in the hinterland to the south of Devonport in Tasmania, Australia.
Roland's Dinky Toy
Roland's Dinky Toy
Roland's Dinky Toy
The different image sizes, Nook, Feature and Mural, shown to scale against a human figure. This comparison is for

Roland's Dinky Toy

$363.00
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299
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Mount Roland in all its splendour hides a little excavator in the foreground. Taken in the hinterland to the south of Devonport in Tasmania, Australia

NookFeatureMural
Dimensions
  • Story
  • Planning
  • Technical

How this shot came about.

Sometimes photography by driving around can yield some very interesting results. After a while everything the photographer sees is framed as a possible image worthy (or not) of capture. This shot is certainly one of those more worthy ones.

I was moving slowly on country roads to the South of Devenport taking in the scenes, watching the light and looking for photo opportunities. I had decided to take a shortcut on the C135 and as I traveled NE out of the village of Wilmot I spotted a lookout platform by the side of the road which presented a fantastic view of the Forth river valley with Mount Roland beyond.

The mountain was illuminated so as to provide some decent contrast on its crags and the river below was performing its own contrast routine against the surrounding trees. It really was a beautiful morning to be standing by the roadside bathing in the warmth of the sun and listening to the distant lowing of cows.

I set up the tripod and took several panoramas. This one made the grade for the lighting on the mountain, the cloud formations above it and, of course, the appearance of the excavator which drove in as I was taking the shot. 

Shot Location

This Shot

This is what I call “planning by driving around” as without being out and about you're never in a position to take advantage of that special moment.

As I drove through Wilmot I came across a viewing platform which was perfect for a shot  of the valley and the mountain beyond.


The Photographer's Ephemeris showing the shot location

The Photographer’s Ephemeris is a trademark of Crookneck Consulting LLC, registered in the United States.
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Gear

Camera: Canon EOS R5

Lens: Canon RF 70-200mm f2.8 L IS USM

Storage: ProGrade Cobalt CF Express B 325Gb

Ballhead: Really Right Stuff BH-40

Tripod: Really Right Stuff TFC-34L Mk2

Cable Release: Canon BR-E1 Bluetooth Remote

ND Filter: None

Exposures

Count: 35

HDR Count: 7 exposures per shot

Aperture: f13

ISO: 100

Focal Length: 119 mm

EV values: -3, -2, -1, 0, 1, 2, 3

Shutter: 1/800, 1/400, 1/200, 1/100, 1/50, 1/25, 1/13

Filters

ND Filter: Not used

Gradient Filter: false

Polarizer: false

Image

Rows: 1

Shots: 0

HDR Shots: 5

Aspect: Portrait

Arrangement: 1x5

Post Production

Basic Workflow

  • I used Lightroom to stitch the 35 HDR exposures together into a 5 image mosaic.
    • Deghosting was set to Medium to deal with cloud movements in the distance
  • I passed the image through Topaz DeNoiseAI 
    • removing CCD artifacts from the image particularly in the clouds

Image Adjustment

  • Once I was satisfied with the results there was a pass through Topaz SharpenAI
  • There was also a contrast adjustment to the clouds
  • The image was cropped 
    • to place the “dinky toy” in the bottom right corner
    • to place the line of the crags at the top ⅓ point

A graphic of the shot's layout structure

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After printing each image is trimmed to include mounting margins for your framer.

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